What u know 2 door cinema club2/16/2023 I wrote ‘Satisfaction Guaranteed’ as this idea of trying to obtain this complete bliss, this idea of heaven that everybody’s trying to sell you. Everything, whether it’s a phone or a sandwich or a car is guaranteeing to make your life better. It’s joy, contentment, as if that should be your natural state. The main thing that most companies and organisations are selling nowadays is happiness. “It becomes a part of what you consume on a daily basis, so subconsciously you’re obviously gonna think that this is what I need and it’s gonna make everything better and I might be happier. “I started noticing what was going on a lot more in terms of advertising and what people and products were promising and how they were filtering it in amongst news stories,” he says. ‘Satisfaction Guaranteed’, meanwhile, is the result of Alex coming off social media for a while, only to find himself able to see straight through the screen to the code of the algorithm’s matrix when he returned. ‘Nice To Meet You’ expands on that idea, tackling the disconnect between how our old friends present their lives as glamorous Instagram fantasies (and the inadequacies we feel as a result) but can’t bring themselves to expose their fears and failings in person. It was one of the best things that could’ve happened in the whole process, him saying ‘I’m not gonna let you do what you did before’. The elevator pitch: in 2008, three schoolmates from Bangor Grammar School in County Down singer Alex Trimble, guitarist Sam Halliday and bassist. Full of action, intrigue, conflict and resolution, Reservoir Dogs meets Rocky meets A Star Is Born meets Love Actually. He took all the drums out and put electronic drums in, saying ‘I’m not gonna let you do this as straightforward as you want to do this and I’m not gonna let it be a full song, it’s gonna be about a minute and a half’. Now showing at Two Door Cinema Club a story Hollywood could’ve writ. Jacknife stripped it down and built it back up from the beginning. As soon as I played it to him he said ‘you’re doing it again, this is the McCartney school of song-writing you keep coming back to’. “The demo that I brought to Jacknife was a little more frilly,” Alex says, “there’s a lot of lovely chords in there. So amid the synth gloss of ‘Once’, the pounding disco rock of ‘Dirty Air’ and the Chic funk of ‘So Many People’, you’ll find distorted, subaqueous boudoir soul akin to a sunken Jungle (‘Think’), or a two-minute interlude of multi-dimensional lounge pop called ‘Break’, which sounds like an AI trying to write a Beatles song.
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